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Abstract
The Diasporic studies negotiate with such challenged society and offers adequate substantiation of the fact that diasporic space is imperative on the space of the originating country. Here the centre has not shifted alone; the boundaries have also been lengthened to thrust the home cultures further to superficial space. This inexorably stresses the requirement to understand the implication of the cultural conflict which takes place in diasporic discourses, the bicultural workings as well as the production of a new culture born out of the translucent paraphrasing in a diasporic gap. Thus, the textual construction of the colonial conflict takes shape with the new type of writing, a form which is overt in its assurance to hybridity. Such trans-cultural and inter-cultural narrative has a serious confrontation to the cultural constancy of the global centers. In its change sensitive quality, Diaspora is characteristically a location of hybridity which questions unchanging identities based on uni-polar essentialisms. In response to the literature and question of expatriation Mukherjee explores the elements of immigration, which represents the new cultural euphoria of America.