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Abstract
The term ‘neo-colonialism’ generally represents the indirect involvement of the developed countries in the developing world. Post-colonial studies show in detail that in spite of attaining independence, the influence of colonialism and its representatives are still very present in the lives of most former colonies in different forms. These influences constitute the subject matter of neo-colonialism. Aravind Adiga’s Last Man in Tower abounds with incidences that represent neo-colonialism in India. The novel portrays how Mumbai, one of the metropolitan cities and an important commercial centre has developed a place of multiple opportunities. To have a decent house in a commercial city like Mumbai therefore remains only a dream for the middle class people. The residents of Tower-A are ordinary middle class people of Mumbai who try to live their both ends in the globalised India. The novel spins around two opposing forces: the retired school teacher Masterji, trying to fight for his rights and Dharmen Shah, the greedy real estate developer. This paper therefore is an attempt to identify the elements of neo-colonialism in India as represented in Aravind Adiga’s Last Man in Tower.