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Abstract
At the time of the Renaissance British trade flourished and reached its zenith with outward expansion of colonialism. British dominated the nineteenth century, but soon after the world wars, colonial power could neither exert the mode of control necessary to maintain their hold over the territories overseas nor morally justify their colonial hold on these territories. In the 1950s the colonized nations vigorously asserted themselves and as a result colonialism began to decline. Consequently, these marginalized civilizations resisted to colonial exploitation and subjugation. The western ideology in the last few centuries has shown an additional existential interest in Indian religion, art, culture and philosophy.Colonialism as a state of mind remains even after the formal ending of the British Raj as the ideology of Indian people is still triumphant in past. It still haunts the present and the post-colonial natives try to escape from the past. Now these natives want to createa space for themselves. The oppressed subjects of the post-colonial world try to get rid of hangover of the colonial past and thus want to realize the present world themselves. The oppressed subjects of the colonial world were treated cruelly and exploited by the imperial structures of power. The present paper tries to critically explore hegemonic power structures in Salman Rushdie’s Midnight Children.