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Abstract
Digimodernism has been revolutionized with in the cultural panorama. Cyber culture knots with technologies that attribute a number of fundamental concepts and outlines the cyber cultural narratives. One of the main upshot is the confluence of cultural studies and media, culture seeks its authorization in the technological parameters. Digital technology within the media culture transmit data which enables the reproduction of cultural representations. Virtual space generated by computer network functions as a new medium. Technological impingements have transformed the cultural stratifications of society into an information society which intensify the reconceptualization of progress in the contemporary scenario. Digimodernism which designates the cultural effects of new technologies as well as the impact of computerization on texts and the arts. The features which entailed on digimodernist texts are Onwardness, haphazardness, evanescence, anonymous, social and multiple authorship. Alan Kirby who calls this cultural paradigm as digimodernism because of the corollary effect on its technical mode and the inherent use of thumbs and fingers. It also analyses how they renovate the cultural paradigms with new ideas on texts, focuses on the notions of author. The advent of technology and digital media have opened a new horizon to the literary contours. By comparing different modes of narration and genres, it can speculated the impetus of technology, media, digital versions on literary works and the variance in writing different mode of writing and cultural paradigms. The works such as Black Box, Five Point Some One and Pather Panchali exhibits these pivotal concerns.